Up until now, the choice for best point and shoot was tricky – none of the three leading cameras had everything. The Canon G7 X got top marks for image quality and has a good zoom range, but no viewfinder. The Sony RX100 IV sort-of-has a viewfinder (it is a small pop-up), but has a limited zoom range and is a little lower-scoring on image quality. The somewhat older Lumix LX100 is also a worthy competitor, but its larger size isn’t justified by image quality or features. Canon has finally broken the logjam with its new Canon G5 X. This new model adds an excellent Electronic ViewFinder (EVF) and a hot shoe for an add-on flash. There are also some other, smaller, updates to video recording formats and other features, but the EVF and hot shoe are clearly the headline here.

I got to shoot with both the new Nikon D5 and Nikon D500 at CES, and they are each amazing in their own way. For no-holds-barred shooting performance the Nikon D5’s 14fps (12fps for up to 200 frames of RAW) and borderline-insane 3,000,000 ISO capability can’t be beat. But at over $6K and 3 pounds, with “only” 21MP of resolution, it certainly won’t be for everyone. It’s certainly the camera of choice for big-budget (and big backpack) wildlife and sports photographers, along with photojournalists who can deal with the size in exchange for unheard of low-light performance.

This has been an amazing year for long-lens shooters. For those who don’t want to break the bank and their backs with the Nikon or Canon 200-400mm models, there are now four exciting new options (three of which are available to both Nikon and Canon shooters):

• Tamron 150-600mm lens (which we reviewed earlier this year) (about $1,070)
• Sigma 150-600mm Sports (about $2,000)
• Sigma 150-600mm Contemporary (about $1,100)
• Nikon 200-500mm f/5.6 (about $1,400)

Before we dig into some of the details, having shot with these lenses, they are all pretty amazing for what they provide at this relatively low price point. They are all head-and-shoulders above the older generation super-telephoto zooms from these companies. However, they are also bigger and heavier than the classic 120-400mm and 150-500mm designs they largely supercede. Which lens is right for you will depend on your specific budget and needs, but I can easily recommend all of them as quality products that provide good value.

As regular readers know, I’ve been having a lot of fun shooting with a DxO ONE alongside my more-traditional DSLR and compact cameras over the last few months. Until now, the software and firmware have been pre-release versions, so I haven’t been able to take you through them in as much detail as I would have liked, or post sample RAW and SuperRAW images. Now that the ONE is starting to ship that’s all changed, so here’s a more thorough look at the camera and its companion software. More importantly, here are some of the first real RAW and SuperRAW images that are available for you to evaluate on your own. #dxoone