Submitted by David Cardinal on Tue, 12/27/2016 - 13:14
For photographers looking for an alternative to Photoshop, that want all the power it provides and aren’t satisfied with the more limited processing capabilities of or , there haven’t been too many alternatives. The best options to date have been , Gimp, or perhaps Cyberlink’s PhotoDirector. Now though, Affinity has dramatically-improved the capabilities of its Photo product, and has also made it available on both Mac and Windows. For the value price of $40, you can have a product that does almost all of what Photoshop does, and many things it doesn’t. I’ve taken it for a spin, and enjoyed using it. You can read my .
Submitted by David Cardinal on Thu, 11/10/2016 - 13:42
I was lucky enough to be able to attend Adobe Max last week. It is one of the largest gatherings of creative professionals in the world, with over 10,000 attendees this year. In literally hundreds of sessions participants learned about the latest and greatest Adobe products, got teasers of Adobe’s future directions, and had the opportunity to get hands-on training with experts. Interspersed were some inspirational keynotes from leading creatives including Quentin Tarantino, Simpsons Director David Silverman, and veteran war photographer Linsey Addario. There was a lot to cover, so I’ve split my coverage of the event into two. First is my . Then, here are what I thought were .
Submitted by David Cardinal on Tue, 10/04/2016 - 09:47
Without question, Adobe Photoshop and Adobe Premiere Pro are two of the most feature-packed applications for editing images and videos. However, they are also two of the most complex. Initially little more than toys, the “Elements” versions of each of them have improved steadily. Now in their 15th version, they provide more than enough capability for most photographers and videographers who don’t already know how to use, and are willing to pay for, their Pro siblings. You can read , but in short, since about version 13, Elements has packed plenty of punch for most editing tasks, and 15 ups the ante with some cool new quick edits and some potentially-interesting AI-assisted object recognition. With this latest update Adobe's Photoshop and Premiere Elements have become the best way to get all the editing tools you're likely to need, in a package you can learn to use right out of the box. As always, the products are competitively priced, with , and . Purchasing both in a bundle saves you some money as .
Submitted by David Cardinal on Fri, 09/09/2016 - 08:17
Not to be outdone by Adobe’s increasingly seamless integration of Adobe’s Stock offering into Photoshop, Shutterstock has released its own version, which is free and available for . For more information, we’ve put the full announcement with feature list below:
Submitted by David Cardinal on Tue, 06/21/2016 - 08:01
I’ve been using the new June update for Creative Cloud for about a week, and am enjoying both the new Content-aware Crop feature in Photoshop, and the native 360-degree video support in Premiere (anyone who has tried to edit 360-degree video in a traditional video editor knows how painful it can be). There is also much improved integration with Adobe Stock for those of you who buy images, rather than sell them. On the sell side, Adobe has also promised a spiffy contributor portal for Adobe Stock, but no details yet on when it will be available. You can read my .
Submitted by David Cardinal on Fri, 03/18/2016 - 10:44
Adobe continues to deliver on its promise of steady updates for photographers subscribing to its Creative Cloud Photography plan. This week, Adobe updated the desktop versions of Lightroom and Photoshop with lots of bug fixes (especially to Lightroom), new camera and lens support (including for the new ), and (finally) an updated UI for Adobe Camera Raw. Lightroom for the web has also been enhanced with intelligent object-recognition-based indexing for more powerful search, like this one for trees in my online collections…
Submitted by David Cardinal on Fri, 09/25/2015 - 08:05
If you don’t already know the ins and outs of Photoshop, or hate the idea of sending Adobe a check every month forever, Photoshop Elements 14 is easier-to-use, less-expensive, and almost as powerful as its big brother. It also includes image cataloging, so you don’t have to deal with a second application like Lightroom. I’ve done a full . As I point out in the review, owning it does not give you access to Adobe’s mobile apps the way a Creative Cloud Photography Plan subscription () does, and it doesn’t allow for syncing to your mobile device. It’s also a bit behind on esoteric features (although Dehaze and camera shake reduction have been added, for example). But its wizards make it far easier to learn and to use than plowing through videos and web tutorials to try to do the same things in Photoshop.
Submitted by David Cardinal on Tue, 06/16/2015 - 07:41
Regular readers will know that I’m a big fan of using the ClearView filter in DxO’s Optics
Submitted by David Cardinal on Sat, 02/28/2015 - 09:35
Submitted by David Cardinal on Fri, 01/23/2015 - 14:22
Here is my . It is particularly good for travel and nature photography.
Submitted by David Cardinal on Tue, 11/18/2014 - 10:20
Submitted by David Cardinal on Fri, 06/27/2014 - 16:18
Submitted by David Cardinal on Wed, 06/18/2014 - 08:47
Adobe fired product salvos on every front today, with a massive set of announcements across its product line. For photographers, the Photo subscription plan has been made permanent at $10/month for Photoshop CC, Lightroom, and mobile apps. Photoshop has also been updated with some cool new tools including Focus-based masking and Path-based blurs – as well as support for Photoshop Mix. You can read more about all of that in my . In the meantime, artists with an iPad will love Adobe’s new Ink & Slide hardware, which I was fortunate enough to be able to .
Submitted by David Cardinal on Tue, 06/03/2014 - 20:19
Adobe continues to push the envelope of what is possible with non-destructive editing – the kind used by Lightroom and by Adobe Camera Raw. It has just published a release candidate of ACR 8.5 that (in addition to more cameras and lenses) supports the ability to use a brush to limit the effects of a Graduated filter.
Submitted by David Cardinal on Wed, 05/28/2014 - 14:08
Adobe has updated its Creative Cloud application with several new features, but t