Submitted by David Cardinal on Tue, 12/27/2016 - 13:14
For photographers looking for an alternative to Photoshop, that want all the power it provides and aren’t satisfied with the more limited processing capabilities of or , there haven’t been too many alternatives. The best options to date have been , Gimp, or perhaps Cyberlink’s PhotoDirector. Now though, Affinity has dramatically-improved the capabilities of its Photo product, and has also made it available on both Mac and Windows. For the value price of $40, you can have a product that does almost all of what Photoshop does, and many things it doesn’t. I’ve taken it for a spin, and enjoyed using it. You can read my .
Submitted by David Cardinal on Wed, 12/14/2016 - 15:44
This year has seen the first consumer-friendly 360-degree cameras capable of 4K video capture. 4K or better resolution is much more important for 360-degree cameras than for traditional models, because those 4,000 x 2,000 pixels have to cover a full 360-degrees of the scene. The best known of these cameras is Samsung's Gear 360, so we took one out for a spin to see if it is indeed a worthy upgrade to the Ricoh Theta S that we reviewed earlier in the year. In short, it is a solid step up in output quality, but at the cost of a somewhat-awkward form factor. Keep in mind that to use the full features of the you need to pair it with a Samsung Galaxy S6, S6 edge, S7, S7 Edge, or Note 5. It’s bundled software is also Windows-only.
Submitted by David Cardinal on Tue, 11/29/2016 - 08:07
I hope most of you are already using a hardware-calibrated, color-managed, workflow for your photography. As you know, my favorite solution is the from Datacolor. Now Datacolor is offering a slick upgrade for users that includes some really impressive features. It’s new “+” Pack adds 1-click calibration, automatic room-light-level brightness switching, and improved profile management. The Elite version of “+” also adds support for soft proofing, and an improved version of StudioMatch.
Submitted by David Cardinal on Wed, 11/23/2016 - 05:42
We're entering holiday gift season, and if you're like me, there are always a couple people that are hard to shop for. So we wanted to pass along my top travel and photo accessories, in case one of them would help fill the bill. Some are awesome for just about anyone who travels, and others are especially useful for photographers.
Submitted by David Cardinal on Tue, 10/25/2016 - 09:16
It’s no secret that I loved my original MP-3, and made it my “go to” camera bag when I had to bring my wildlife photo gear somewhere and needed to make efficient use of space – particularly for trips involving small planes or a bit of hiking. So it was great news for me when Moose Peterson teamed up with Think Tank’s MindShift brand to produce a new, improved, version. I’ve been using it for a while now, and am very impressed. It retains the flexible design of the original, but offers improved shoulder straps, an even more-rugged build quality, and a few other nice touches.
Submitted by David Cardinal on Tue, 10/18/2016 - 13:23
A common theme in compact cameras is the tradeoff between zoom range and image quality. The very top rated () has the best image quality, but a small zoom range of 24-70mm. The () stretches that to 24-100mm, but that’s not much of a gain. On the other extreme, the () provides both an amazing zoom and great image quality, but is much larger and more expensive. Enter the . It is larger than the RX100 or Canon G series, but not by a huge amount. In exchange it offers a larger, 25-250mm, zoom range but doesn’t trade off much in image quality.
Submitted by David Cardinal on Wed, 10/12/2016 - 10:41
Sony has set the standard for high-end point-and-shoot cameras since it first introduced the Sony RX100 Mark I. Each year has brought additional features in the form of a new model, and this year is no exception. The adds the increasingly-popular Phase Detect AF, and a startlingly fast 24fps burst mode.
Submitted by David Cardinal on Wed, 09/07/2016 - 07:58
Each year I write up a list of some of my favorite laptop choices for photo editing, which is published on ExtremeTech.com. This year’s edition is just out now, so you if you’re looking for a new computer, and want a laptop that you can travel with but is also beefy enough to handle your photo editing needs, . An additional entry is the , a well-designed powerhouse with the latest technology.
Submitted by David Cardinal on Thu, 08/11/2016 - 08:48
The folks at Photodex keep finding new ways to improve on ProShow, which for a long time has been the best slideshow package on the market. For anyone who wants to do pro-quality presentations or videos starting with images and other media, ProShow is the best tool you can buy. The desktop version is Windows-only, but there is a Web version with less features that can be used from any machine. Now, Photodex has released ProShow 8, with a number of new features and other improvements. I’ve been using it since its release, including to create our traditional participant slideshows during our Alaska Bear & Puffin safaris, and the new version has made it easier than ever…
Submitted by David Cardinal on Tue, 08/02/2016 - 10:02
It's one thing to have a great, dedicated, camera backpack. There are many of those on the market. Some of my personal favorites are the and my Think Tank for when I need a roller. I'm also looking forward to trying out the new MindShift MP-3, based on Moose Peterson's design. However, sometimes you need to bring along a variety of other goodies, like jackets and gloves for the changing weather, or food for a long day out, and you don’t need a huge supply of photo gear. That means you need a flexible pack that can store a wide variety of contents. If you add to that the requirement to get at your photo gear without taking your pack off -- a must when working in mud, deep sand, or powdery snow – you need a different kind of backpack.
Submitted by David Cardinal on Wed, 07/27/2016 - 08:51
Few cameras have had a more loyal following than the Nikon D300 (and predecessor Nikon D200). For those who wanted a pro-quality Nikon without moving to the size and expense of full-frame, they represented an excellent combination of features at a reasonable price. However, as the years have gone by, the tech in those cameras has been left in the dust. Many owners have been forced to move either “down” to a more consumer-oriented, but newer, model like the , or up to a larger, more-expensive, model like the . No longer. I shot almost exclusively in Alaska for two weeks with a , and loved it. It is easy to hold, fun to use, and took photos that are as high quality as I’ve ever seen from a 21MP sensor.
Submitted by David Cardinal on Tue, 07/26/2016 - 08:21
The appeal of a camera you can always have with you is obvious. For an increasing number of people that’s their smartphone. But if you want to have something with a bigger sensor and a zoom lens, a compact point-and-shoot is the way to go. That creates something of a Goldilocks problem – the cheap, small ones aren’t much better than a phone, and the high-end ones don’t fit in a pocket. Canon has done a good job over the years with its S series in finding a middle ground – reasonable sensor, good features, and Raw capability. I’ve been shooting with the newest version, rebranded as the , and have been impressed by the upgrade in image quality, while learning to like, or at least live with, the new Touchscreen-centric interface…
Submitted by David Cardinal on Tue, 06/21/2016 - 08:01
I’ve been using the new June update for Creative Cloud for about a week, and am enjoying both the new Content-aware Crop feature in Photoshop, and the native 360-degree video support in Premiere (anyone who has tried to edit 360-degree video in a traditional video editor knows how painful it can be). There is also much improved integration with Adobe Stock for those of you who buy images, rather than sell them. On the sell side, Adobe has also promised a spiffy contributor portal for Adobe Stock, but no details yet on when it will be available. You can read my .
Submitted by David Cardinal on Mon, 06/20/2016 - 07:53
No one like carrying a lot of camera gear, or changing lenses. But for many of us it is a necessary evil to get the shots we want. But the question I get asked most is "I want a camera that does it all, but I don't want to carry several lenses or a big backpack or tripod, what should I buy?" The new is an excellent answer. With a 1-inch-format 20MP sensor, and a 24-600mm super-zoom lens from Zeiss, it takes remarkably good images for an all-in-one camera, and it does it across a massive focal length range. The big upgrade from the Mark II is an increase in zoom range from 200mm to 600mm at the long end (resulting in a slightly larger, and more-expensive, camera).
Submitted by David Cardinal on Mon, 05/16/2016 - 10:28
Along with Virtual Reality, no trend is hotter this year than 360-degree photos and videos. For a few years now, you've been able to cobble together a 360 photo using an app on your phone to stitch together the many required images -- with predictably-mediocre results.